Border Trouble

I recently learned the expression "border trouble", in this case referring not to immigration---nor to illuminated borders, like the one above---but rather to the sometimes-daunting obstacle between the idea for a piece and the point at which it begins to take shape.  Since I sometimes struggle mightily to move through that region, it helps me to think of it as just a transition, kind of a bothersome ordeal one has to go through to move into the pleasure on working on the piece once it starts to come to life, not to mention once it is finished.

It's school fundraiser season once again and I created this piece to raise some money for a good cause.  Artwork doesn't always do well in a silent auction but this was displayed nicely and went for a pretty penny!  The border outline came from the fabulous collection of the Graphics Fairy (you really need to go to that site, and bookmark it!);  I was able to take a little shortcut and print it onto tracing paper (rather than actually tracing it) and then transferred it to Arches 140 lb hot press with Armenian bole.

Because of the nature of the quote, I used more colors than I usually would have in the border.  The ink is Pelikan (with some powdered gum arabic added);  the rest of the design is gouache, pen, and 23K gold leaf.  I used a [left-handed] Brause 1.5mm nib;  the image is about 7.5" X 10.5".  I used my Logan Compact Mat Cutter (which has come in handy more times than I can count) to cut the mat, then popped it into a frame I picked up at Michael's half-price.  Ta-dah!

Thoroughly Modern Mark Making


Well, here's a new take on a calligraphy tool!  This is a representation of about 45 minutes worth of work on my laptop, every trackball movement and click, as recorded by a cool little (free) app called IOGraphica.

What if I put a frame around it, courtesy of the Graphics Fairy?


Here's about an hour's worth of work in Photoshop with the cordless mouse; I'm obviously a little more agile with that:


And here's about two hours of random work, doing finances, looking at blogs and answering emails.... how long would it take to fill up the whole page?!?  



Kind of a new-age Etch-a-Sketch!  Fun to play around with, but don't think I'll be giving up the pen and ink just yet...

Flock o' Placecards


I seem to be on a roll here with placecards, party favors and the like.  But they're fun, easy and usually a lot of bang for the buck.  Borrowing (okay, stealing!) an idea from Martha Stewart's "Messenger Birds" and using images from 19th century Arm & Hammer bird trading cards, mostly found on the wonderful Graphics Fairy blog, I put together these placecards/thank you notes for a luncheon at work. 







According to the Arm & Hammer website:  "This early promotion was a hit and lasted, in various forms, for five decades. The first ARM & HAMMER® cards, 2X3 inches in size, were entitled "Beautiful Birds of America". These cards showcased talented artists and they promoted the importance of preserving our environment."



The ink is McCaffery's ivory.  Word to the wise:  the ink was still tacky and the cards stuck together when stacked, even after drying for twelve hours!  Luckily, no harm done.










What fun it must have been to find one of these in your box of baking soda!